Mon district in Nagaland is a place of mystery and charm, deeply rooted in tribal heritage. Home to the Konyak tribe, this region is known for its unique traditions, craftsmanship, and artistry. The Konyaks are skilled in making firearms and excel in various handicrafts, including basketry, bamboo work, and brassware.
View of the Mon Town
A girl at the shop in Mon Town
Mon is a hub of expert artisans specializing in jewellery making, weaving, wood carving, and cane craft. Bead jewellery, in particular, is a common craft among the women of Mon. Almost every woman in the town and nearby villages engages in this art, crafting intricate necklaces, wristbands, and garters. Nagaland's traditional jewellery holds deep cultural significance, often representing social status and historical triumphs. Women wear multiple strands of beads, sometimes covering their entire torso. These ornaments come in three primary forms - headbands, necklaces, and girdle belts.
A women weaving a fabric in Mon town.
Another unique craft of the Konyak tribe is the making of brass masks. Traditionally created by blacksmiths, these miniature masks were once symbols of a warrior’s achievements in headhunting. Worn as pendants or necklaces called Yankho, they signified the number of heads taken in battle.
Yankho
While many women in Mon create beaded jewellery for personal use during their leisure time, only a few sell their work commercially. The designs of these ornaments are intricate and have been passed down through generations. Though the origins of the patterns remain unknown, they continue to be a defining part of Nagaland’s cultural identity.
Bead jewellery-making is a highly detailed and time-consuming process that requires patience and skill. Today, artisans use beads made of glass, fiber, and plastic, sourced from local markets. Traditional materials like animal bones have largely been replaced by modern alternatives. Essential tools for this craft include thread, knives, scissors, files, and hacksaws.
In recent years, Nagaland’s bead jewellery has gained recognition, drawing attention to its intricate craftsmanship and cultural significance. It has the potential to become one of the most defining artistic identities of the state.
Inspired by this beautiful tradition, we created an abstract illustration that captures the essence of Nagaland’s bead jewellery.